The next Foro Coral Americano will be held when the general and sanitary conditions allow us to guarantee the health of all participants. Stay in touch.
I AMERICAN CHORAL FORUM
SAN JUAN, ARGENTINA
November 16th and 17th, 2015
Performed activities:
Final concert of the “Sings of the Soul” Project Guest conductor: Dr. T. J. Harper. Coro Arturo Beruti. Guest choir: Coro de la Universidad Católica de Cuyo.
National panorama - Panel: Present and future of the Argentine choral activity. Participated:
- OFADAC: Organización Federada Argentina de Actividades Corales - Alejandro Scarpetta (President)
- ADICORA: Asociación de Directores de Coros de la República Argentina - Marcelo Valva (President) y Viviana Bognar (La Rioja subsidiary)
- SAN JUAN CANTA: development of integral choral projects of the Arturo Beruti Choir - María Elina Mayorga
- National Choral Plan: Carlos Pappolla (Ministry of Culture of Argentina)
- Programa Nacional de Orquestas y Coros Infantiles y Juveniles para el Bicentenario, from the Ministry of Educación of Argentina - Pablo Piccinni
Reading sessions: songs from different countries by guest conductors - Participants:
- Hugo de la Vega - Córdoba (Argentina)
- Esteban Tashdjian - ACORDELUR (Montevideo - Uruguay)
- Ruth Godoy Peralta - ALACC (Santiago - Chile)
Round of dialogue: "The professionalization of the Choral Conducting in Latin America" With the participation of the choral conductors present.
Business round / Showcase
Choral exhibition in the hall of the Eloy Camus Hall. Opportunity to meet, personal contacts and exchange of information.
- Choirs
- National and international festivals and competitions
- Choral and cultural organizations
- Composers, arrangers, publishers
Choral Concert at the Juan Victoria Auditorium Coro de la Ciudad de Mendoza - Conductor: Ricardo Portillo
The international perspective
Reading sessions - South America and the Caribbean
"La práctica coral como reflejo de la idiosincrasia cultural" Participaron:
- ACDA (American Choral Directors Association - USA) Dr. T. J. Harper
- ACORDELUR Uruguayan Choral Association - Olga Gabus and Esteban Tashdjian (president and vice president)
- ALACC Latin American Choral Singing Association: Ruth Godoy Peralta
- Voce in Tempore, lchoral activity in Mexico - Ana Patricia Carbajal
- El Sistema de Coros Infantiles y Juveniles de Venezuela - Lourdes Sánchez
Lectures
"The Financing in the Arts" Fondo Nacional de las Artes - President: Lic. Virgilio Tedin Uriburu.
"Repertory and Choral Resources from Ethnic and Multicultural Perspectives" Dr. José Rivera (Puerto Rico - USA)
Reading sessions - North America. Participated:
- Ana Patricia Carbajal (Mexico)
- Ki Adams (Canada)
- T.J. Harper (USA)
- José Rivera (Puerto Rico)
The international perspective (continued)
"Transnational projects: towards global networks"
Participated:
Participated:
- ICEP - ACDA's International Choral Exchange Program - Dr. T. J. Harper (USA)
- The Singing Network - Canada Dr. Ki Adams
- ECA-USP Dr. Marco Antonio da Silva Ramos
- AAMCANT Ricardo Denegri and Camilo Santostefano (Presidentd and Secretary)
- Presentation of RICA (American Choral Integration Network) and invitation to those present to add their membership
Outdoor concert - San Juan says goodbye to its illustrious visitors
Ballet San Juan Nuestro Tiempo.
Misa Criolla, by Ariel Ramírez.
Coro Arturo Beruti, Coro de la Universidad Católica de Cuyo, Germán Navarro and Fernando Popi Tejada (soloists) and guest musicians. Conductor: María Elina Mayorga.
Misa Criolla, by Ariel Ramírez.
Coro Arturo Beruti, Coro de la Universidad Católica de Cuyo, Germán Navarro and Fernando Popi Tejada (soloists) and guest musicians. Conductor: María Elina Mayorga.
The repertoire reading sessions were supported by Franco Páez (piano) and students of the Chair of Choral Conducting (Prof. Mg. Mónica Pacheco) of the Faculty of Arts and Design of UNCuyo (Mendoza)
They included a wide and attractive selection of Argentine, Chilean, Venezuelan, Haitian, Canadian, Mexican, Uruguayan, Puerto Rican, Brazilian and American compositions that were published strictly for educational purposes.
They included a wide and attractive selection of Argentine, Chilean, Venezuelan, Haitian, Canadian, Mexican, Uruguayan, Puerto Rican, Brazilian and American compositions that were published strictly for educational purposes.
Share: